October 28, 2013

Book Review: Hope & Other Dangerous Pursuits - Laila Lalami

NOTE: I wrote this for an English class and was re-reading it. I've decided to post it for two reasons: for material/content, and also because I don't think it's half bad for early-morning quick writing. Comments welcomed wholly.

Outside bazaars that line dusty streets, brimming with spice mounds and dried fruits; dark skinned dancers adorned in vibrantly coloured fabrics and jewelry; all the romantics and beauty of Casablanca. This, however, is not the Morocco that the characters of Hope & Other Dangerous Pursuits see. They see a country that is corrupt, unjust and dangerous to their well-being. For these reasons, Faten, Aziz, Murad and Halima set personal courses for Spain and – hopefully – freedom.
Based on an incident in the Straits of Gibraltar in 2001 where 59 prospective-immigrants drowned in crossing, Hope & Other Dangerous Pursuits delves into the lives of the four passengers. Faten has been forced to leave Morocco because her religious convictions have stripped her of opportunities there. Halima is set on escaping her abusive husband with their three children in tow. Murad leaves in the hopes of finding consistent work that agrees with his education. Aziz makes the journey in order to make a wage capable of supporting him and his wife. But, like the journey of the 59, their crossing comes to an abrupt end when the boat flips and leaves their lives in the hands of the Spanish Coast Guard and the tide.
Initially, Lalami’s debut novel seems too simple a plot – the quintessential immigration story. What one comes to realize, however, is that Lalami uses the basic arc as a way to delve into more complex debates that surround the tangled briar-patch that is the international immigration debate. What do we forget about the people that make the journey? What is the dream and does the endgame match it? What is gained or lost by the decision to leave? How does a person reach such drastic ends? Are the promises from other lands real? Such questions speak to the level of intelligence hidden in the deceptively easy text, as well as to the relevance of the book.
Using Spain and Morocco as backdrops, the author illustrates that success depends on multiple variables and the grass cannot always be greener on the other side of the Straits. She spends careful time fleshing out her characters so the reader understands the origination of motivation, the significance of the boat trip, and the aftermath for each. Some make it to Spain, but others are sent back to Morocco. Lalami juxtaposes the myriad of emotions that come with completing the crossing (triumph, gratitude, but also a “now what?”) to those of failing (sadness, disappointment, and anger). The parallel suggests that Spain means starting over while Morocco means restarting. Spain, still laden with its tantalizing opportunity, is at once reduced to meretricious. For this reviewer, the idea that starting over and restarting could come to engender disparate definitions was startling as well as thought inducing.

Hope & Other Dangerous Pursuits is not a novel for everyone, but it is worth a look. Even if it does not turn out to be the best book in the library, one has to appreciate the perspective it gives on a topic still so relative in 2013. Regretfully, the journey Faten, Murad, Aziz and Halima take is no less in danger or occurrence than it may have once been. What broadcasters, writers, reporters and editors seem to forget is the amount of courage and drive that would compel a person to step into the boat. We neglect to remind ourselves that immigrants are not merely those who enter our countries and may not come for work. Laila Lalami achieves something great in her novel: the restoration of humanity and respect to immigrants. Hope & Other Dangerous Pursuits asks million-dollar-questions in the guise of ten-cent syntax. I recommend it whole-heartedly as an idealist and someone who would like to see Lalami’s questions asked to a receptive, global forum.

January 25, 2013

The Hiatus Problem

As I mentioned in the last one, this page experiences some extreme gaps between posts. This is a half-assed sort of explanation for them:

I am a high-schooler who just survived mid-winter exam week on a new schedule and has actual responsibilities. And when I'm not scatter-brained over my school work, I'm freaking out over extra-curricular stuff. Then, there is a lovely phenom you will experience called: "I am so tired that I'm about to fall over and the only thing keeping me alert at this point is the latest episode of {insert television/radio series here; my preference is Cabin Pressure}". It's a beautiful thing.

So, there's my excuse.
Feel free to call BS on it because I already am.

And it's snowing here... so it's bloody cold. I feel like this is the point in the school year where we should be learning about the Gulag or the Russian revolution. I bet you my *checks phone* 14 degrees is balmy to Red Square denizens.
And if you live in Moscow or anywhere in Eastern Europe for that matter, I'd like to know what "cold" is for you.
My friends and I have mapped cold out this way: England's "cold-and-dreary", then Northern Pennsylvania's "February", then Wisconsin's "Winter", Canada's "chilly", then Russia's "brisk", and finally the Arctic Circle's "draughty". Pretty succinct summary.

My life motto currently:
I'd be one of those burrowing owls or a really adorable pygmy - like Pig in Harry Potter.

Exam playlist:
1. Plenty - Guru feat. Erykah Badu
2. See Line Woman - Nina  Simone
3. The Believer - Common feat. John Legend
4. Padam Padam - Edith Piaf
5. Submarines - The Lumineers
6. Le Temps de l'Amour - Francoise Hardy
7. Express Yourself - Labrinth
8. Breaking Down (MTV Unplugged 2012) - Florence + The Machine
9. Criminal - Fiona Apple
10. Transatlantique - Beirut
11. East Harlem - Beirut

That's all I've got because this I've actually got plans... astonishing, I know.
My school's big into celebrating holidays everyone else gets off for. So I had school on MLK day and the teachers are getting ready for Black History Month. Somehow, I got commissioned to draw people from the Black Freedom Struggle*. The theme is Motown, so Diana Ross and Marvin Gaye and the Vandellas and Stevie Wonder are currently watching me from the sketches scattered on my bedroom floor... might want to colour them or finish them...
I'll post pics when I'm done.

Cheers,
Carie Lea

* "Black Freedom Struggle" and "African-American Rights Movement" are both more acceptable terminology than "Civil Rights Movement". While CRM is generally associated with the African-American struggle, historians actually recognize it as an umbrella term for every social-change movement ever, but usually centered around the 20th century. So, this includes: woman's suffrage, anti-war movement, free speech movement, black freedom struggle, counter-culture movement, et cetra.
I'm only writing this bit because I'm a history nerd and feel the need to set the record straight.

Day 2: Restless

Hey there. Yes, I know - another freakish hiatus, but you'll just have to deal with it. This next one is a lot shorter; possibly because I wrote it on my phone. Anyway, I'm not following the list strictly, so I picked 'restless' next. Inspiration is a fickle thing, especially when trying to focus on four other projects simultaneously.
Enjoy (and I'm still using my canon; feel free to hate it/love it/ask questions - maybe concerning my sanity).

Restless


Emanuel felt like her skin was electrified from the moment she slid into the cab next to John. Every nerve jumped and fizzles and sparked like the ends of downed telephone wires. That feeling didn't dull when he let go of her shaking fingers outside of his room. Instead of the dead connection of a broken circuit, the racing blood and jittery nervous signals backed up in her wrists; an odd pulsating pain thrumming along until she reached out again.

Excitement pooled again in her veins when John followed her to 221a. Never before had this feeling swelled in her - the distinct feeling that endorphins were drugging, intoxicating her brain. It was a sedative and a stimulant all at once. A rush and a high Emanuel refused to forget. The emotion, whatever its name and convoluted traits, blurred her thoughts and some if her vision.

Maybe this was why Sherlock seemed so opposed to the idea of a romantic relationship. Just the understanding how much he detested lack of clarity made it easier to understand how a reaction so mind numbing would drive the man insane

END

voila! 
best,
Carie

Day 1: Beginnings

[a/n: All the word prompts are going to be the title because I'm a lazy high-school teenager; and I apologize for the colloquial mistakes, etc.]

October 1st 2001
Wells-Next-the-Sea, England

Something about the lunch room of Gresham's Prep School was inherently intimidating. Oliver Tannat was no exception to the rule. His olive green eyes scanned the place; he found his younger sister, Jordan, sitting with a pack of giggling first-year girls. Ryan, the one in the sixth form, barely had time to wish him luck that morning before being yanked off by the other football junkies.

Then, there was Oliver: 5'10'', skinny, second-year who loved acting to death and hated Faulkner with a burning passion. His siblings had easily adapted to the move: Kilcullen, Ireland to Wells-Next-the-Sea, England in a mere matter of weeks. He'd walked the loop of town square probably ten thousand times since the Tannat family had settle into their East End brownstone. Of course, his father insisted on the prep school - something about impressions and appearances because his father could be that shallow.

In short, Oliver had never felt so alone in all his sixteen years of existence.

Losing hope fast, Oliver cast a last glance around the room. Now, his gaze fell on a girl towards the back corner. She'd been in his first period chemistry class. Her name was... Noel? Something like that. Anyway, the girl was kneeling on her chair, one hand pressed to her waist and the other motioning to him. Like out of some horribly high-schooly-stupid romance movie, Oliver balanced his try on one hand and pointed to himself. Noel rolled her eyes and exaggeratedly pointed to the empty chair opposite her. Feeling stuck, Oliver obliged, endowed with the distinct feeling that he was following his mum's orders.

Silently, he sat in said chair, which was next to a sun-streaked-brunette girl with her nose buried in a thick, beaten looking book. Rectangular wire frames sat low on her nose. For some reason, Oliver didn't think she needed them entirely.

"So, new kid," Noel began, twirling a length of her wavy, chocolate brown locks through her fingers. "You're going to sit with us from now on, okay?"

Oliver gaped at her, then mumbled: "Why me?"

"Because you have no friends," The other girl answered without even looking up from the novel. "And Emmy here thinks you seem interesting,"

"I'm sorry, but your names are?"

"I'm Emanuel Cleaver, and she's Eowyn Swancott," Emanuel grinned. "And you're Oliver Tannat,"

"Call us whatever you want," Eowyn said. "However, if I hear 'Wyn Wyn' or 'Owen' come out of your mouth, I reserve the right to kill you," Oliver raised an eyebrow.

"How about Wynnie? Does that appease you?" he asked dryly.

"That's peachy," Eowyn smirked, then finally turned to look at Oliver. "The queen approves,"

Emanuel was studying Oliver intently as he and Eowyn talked. He noticed, of course - how could anyone ignore her unnerving yellow stare. Her eyes were actually hazel, but up close the green didn't morph into brown correctly, leaving a weird dirty-gold color, instead.

"Emanuel's quite a mouthful..." Oliver started, picking apart his lunch. The girl in question giggled. He didn't want to call her 'Ema' - it was too normal for him. And his mum's name was Emma.

"Tell me something special about yourself, Oliver," Emanuel requested, her expression telling him he didn't have a choice.

"Umm... I'm Irish,"

"Boring," Eowyn chirpped. Emanuel shot her a glare.

"Well, I play the trumpet," Emanuel motioned for Oliver to keep going. He swallowed. "I want to be an actor," Emanuel's eyes lit up at this. "You?"

"I sing opera and my dad's an American - in the marines, actually," was her answer. Eowyn kept quiet, totally invested in her book.

"Would you hate me if I called you 'marine brat'?" Oliver tested, chewing his cheek.

"That's very original, Tannat," The girl leaned forward. "I like it,"

There was a pleasant lull in the conversation. The trio ate for a while; Emanuel humming, Eowyn reading and Oliver wondering what had just happened. Suddenly, Oliver felt something heavy push on his head. Glancing up, he saw Eowyn standing, her book resting on his dark hair. A questioning expression passed over his features.

"What?"

"I'm gonna call you 'theater freak'. Non-negotiable," She told him before taking a bite out of an apple and walking off, book open like a hymnal in church. Oliver then turned to Emanuel, who was shaking her head, Catching his eyes, she smirked.

"You'll get used to it, Tannat... eventually,"

END

Ta-da! Hope you enjoyed and I would love feedback.
Best,
Carie Lea